His music conveys impressions of the Paraná river landscape and voices the realities of its shores from a universal perspective, free of stylistic boundaries — where folklore, jazz, MPB, rock, and classical music coexist, opening onto the wide horizon of song

Editó siete álbumes discográficos en Argentina (Shagrada Medra e Intemperie Sin Fin) y en Japón (Inpartmaint Inc.)

• “Grita en Mí” (2025)
• “Melodía Baldía” (2022)
• Aguasílabas (2019), a trio with Carlos Aguirre (fretless bass) and Gonzalo Díaz (drums)
• “Piano Solito” (2017)
• Luz de Agua “Poemas de Juan L. Ortiz/Canciones” (2005)
  y “Otras canciones” (2015), junto a Claudio Bolzani y Fernando Silva
• Lucas Nikotian /Sebastián Macchi (2013)

He also published a sheet music book with the complete transcription of the album Luz de Agua — Poemas de Juan L. Ortiz / Canciones (2023)

His current projects include:

• Colectivo baldío, quinteto de sonoridad eléctrica orientada al rock-canción, con quienes lanzó en el 2025 el álbum “Grita en Mí”
• El Dúo junto a la violinista catalana Laura Urteaga con quien grabó en Italia una seria de piezas de carácter académico con el nombre de “Abismario”
• Divino Profano, his solo piano project, re-imagining instrumental versions of songs by Luis Alberto Spinetta, Charly García, and Fito Páez
• A duo with Uruguayan singer Cecilia de los Santos

He has toured in Uruguay, Brazil, Chile, Germany, Denmark, Italy, Spain, Japan, and the United States

His compositions have been recorded by artists such as Aca Seca Trío, Trío Familia, Cecilia Pahl, and Mario Gusso.

He has also taken part in albums and projects by Nicolás Ibarburu, Carlos Aguirre, Jorge Fandermole, Silvia Iriondo, Coqui Ortiz, Cecilia Pahl, and Luis Barbiero, among others

In addition, he has worked as artistic producer on albums by Claudio Bolzani, Taylor Mackall, and Belén Herrera